"Rhinos"
Not all screenwriters and directors yearn to produce the next "Citizen Kane" or "Wild Strawberries." Silliness, though often frowned upon, should occasionally be encouraged. Some writers and directors simply crave an opportunity to create something absurd. It is so with the makers of "Rhinos," the latest product of Austin's independent film community and the first of One Horn Productions.
The film stars Chad Nell and Adam Warren, both making their feature film debut. It follows the lives of two almost inseparable compatriots, Brick Hawthrone (Warren) and Mace Spinella (Nell).
Brick and Mace long for the sort of success that does not require daily toil. Until they achieve that prosperity, though, they must earn enough money to meet the financial obligations imposed by landlords and pizza delivery men. To subsist, these dilettantes hawk perfume in a fashion best described as Willie Loman meets the Farrelly Brothers. Their employer, Rhonda Ramsay (Kelly Coffield of TV's "In Living Color," "Jerry Maguire"), encourages them with a simple mantra: "Live and die as a Rhino! Let rejection bounce off of you, never take no for an answer, and no matter what, keep charging!"
But, alas, these salesmen rhinoceri have not truly tasted the marrow of life. Most of their leisure time is spent eating cold pizza, smoking marijuana, and watching rhino documentaries. After leaving the employ of Ramsay, they embark upon a series of unsuccessful get-rich-quick schemes, including insurance fraud, personal injury lawsuits, and the donation of sperm. Their magnus opus is the formation of a small business, Tight & Tidy,a cleaning service company with an exotic twist.
The film's publicists compare it to "Wayne's World" and the work of Laurel and Hardy. Brick and Mace are characters who take life lessons from cold pizza. In fact, the rhino footage serves as a metaphor for the lives of the protagonists, and a good deal of the film's humor comes from these comparisons. There is even a subtle endorsement of the American dream: a good idea and enthusiasm for entrepreneurship can lead to success. That's what Michael Dell had, and by the film's denouement, so do Brick and Mace, though to a much lesser extent.
Though no Richard Burton, Nell performs adequately and strikes the viewer as a relatively likable fellow. Warren, a former physical trainer, is also amusing and fun. In the melange of interesting character actors (including a surly gas station attendant and a rather confused roommate), a careful viewer will find Melrose Larry Green, the Howard Stern groupie.
Bankrolled by former McLennan County District Attorney Vic Feazell, "Rhinos" took three months to write and six to produce, though principal photography took only 15 days. The script, by Nell and director Randy Olson, appears to base itself on what obviously began as inside jokes, and some of the gags remain on the inside. However, the film must have been extraordinary fun to make, and it shows.
It is truly refreshing to see an independent feature without heists and choreographed gunplay, especially when that film is the brainchild of 20-somethings. There is no whining about the alienation of the real world, and the filmmakers have not presented us with any existential dilemma. Rather than attempting to fob off their private suffering as art, as so many filmmakers do, they are chronicling their mishaps for laughs.
Claiming the film to be an "embellished version" of their lives, Warren and Nell admit that they are "looking to create a cult classic." Perhaps that is what they have done in making a film somewhat reminiscent of Steve Oedekerk's "High Strung" and 1987's "Death Row Game Show."
"Rhinos" has no pretension of being something other than what it is, and that is a difficult-to-find quality among films, even in the indie community. Indeed, the film succeeds because it knows what it wants to be.
Simply put, "Rhinos" is not a film for sophisticates. Rather, it is a fine choice for those not averse to a few chuckles and guffaws. Warren and Nell wouldn't have it any other way.